This The Simpsons review contains spoilers.
The Simpsons Season 32 Episode 17
The Simpsons Season 32, episode 17, ” Uncut Femmes,” is a caper comedy, and criminals Sarah Wiggum (Megan Mullally) and Fat Tony (Joe Mantegna) steal every scene they are in. Over the course of the jewel heist parody at the center of the installment, we learn Chief Wiggum’s wife has a shady past, and the neighborhood mob boss has a paternal presence. They don’t have any scenes together, but they make crime pay off, and prove two or so wrongs can make a right.
The trip is to a World War II battleship, retrofitted to look like it did back in May 1943. That was the last time it was scrubbed, and the kids and wives get keelhauled into breaking up everything but the barnacles. They swab the decks and are told they’re killing Oxees, which sounds enough like Nazis for Springfield Elementary. Nick Offerman voices Captain Bowditch, who Sarah Wiggum calls Captain Dingdong before robbing his liquor cabinet and sharing a bottle with Marge.
The police chief’s wife also shares some unexpectedly relatable problems, like the pressures of being married to “a man with a dangerous job he’s just not good at” But her best comic line is about her husband’s health, and how every slice of cheese could be his last. The bonding scene is very effective, warm and witty. Both women give up so much because they are mothers.
Sarah Wiggum gave up a glitzy and glamorous life of crime, like the Ocean’s 8 masterminds. She was the getaway driver on the famed “Hourglass Diamond” heist. Her story is broken down in a flashback sequence with subtitles like “The Grab,” “The Camaraderie,” and “The Double Cross.” To give historical perspective, one of the items which the young thieves steal, while listening to Gwen Stefani’s “Hollaback Girl,” are MP3 players which held over 300 songs.
In the segment entitled “The Honey Pot,” Sarah explains her own role in the robbery. “The Chump” denotes when she met Clancy Wiggum, then a mere security guard, working his way through one of his many attempts at passing the police academy. “I love a man in a rented uniform,” she says.
Marge had to miss the one event she gets to share with her sisters’ friends, which includes the crumbs of the crème de la crème of Springfield’s LGBTQ community: Watching the annual Gen Gala on TV and making scathing remarks. Marge is jonesing for snark. She’s got an itch to throw good shade. This would be a blast to hear from Marge, who is “still working up the courage to call a man the B word.” This year’s Gala is themed, “The Audacity.” The prior year was called “The Nerve. Marge breaks her usual reserve to tell Rihanna she listens “to the clean versions of all your songs.”
Marge is so consistently Marge-like, so clearly defined within the vantage point the series has set up for her. Marge’s first words, when trying to start a conversation with Sarah, are “the top 10 ways of starting a conversation.” When she is kidnapped, she observes whoever had the bag over their face before her was a smoker. Julie Kavner also pulls off amazing physical comedy in this episode, even though it’s vocal acrobatics. When Marge is bound by Sarah’s old gang, she hops away – chair, pole and all – to allow them to scheme. She points to their scheme-board with her high mound of hair, which she later uses to blur surveillance cameras. Kavner’s inquisitive or insistent moans fuel every blue follicle.
To distract the mark, Lindsey Naegle, Marge makes small talk about common household chores the VIP would never do herself, like paying attention to whether you switch delicates to extra warm when you’re doing laundry. “You’re not famous, so you don’t exist,” Lindsey, who pocketed the diamond for herself to buy a celebrity lifestyle, snorts at Marge. Her husband, Springfield’s beloved Rainier Luftwaffe Wolfcastle, takes this gag to an absurd conclusion. Wolfcastle has no idea what the two were talking about when he enters the scene, but he is more blinded by his celebrity. He asks his wife why she’s talking to an empty chair. It’s all a punchline which lands on “somebody stop those nobodies,” a masterful twist of social restraint.
Ultimately, one of the snarkiest lines turns out to be a comment on Marge, when she makes a very surprising appearance at the Gala. But only because “she looks like dirt” walking a red carpet designed for 20 plus-size gladiators to carry Beyoncé. The snide aside comes across as exactly what Marge would’ve wanted.
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The kidnapping is first reported by Chief Wiggum’s son, Ralph, who was watch commander on deck. Fat Tony will come to be simpatico with Ralph in hysterically edgy ways later in the episode. They both “know nothing about nothing.” Until he met Ralph, Fat Tony thought putting crumbled Oreos on ice cream would be redundant, but now finds it transcendent. It is like a grooming process; the police chief’s son even begins wearing a matching fur coat. And when a kid behind an ice cream counter tells Ralph not to grab at the Gummy Bears, Fat Tony says “if the boy wants this the boy wants to smooch, the boy will spook smooch.” He could be telling The Bronx Tale. Ralph’s rejoinder, “I love you, scary daddy,” is so in keeping with his character of cluelessly deranged innocence.
Wiggum is very important to crime in the town. This episode points out how it flourishes under his lazy watchful eye. Fat Tony loves “Chief Bungles” because he’s a horrible cop. Even Sarah admits her husband is “better at planting evidence than finding it.” But, more importantly to Fat Tony, the chief loves the top cop because he is a selfish man. He’s on the take from Burns, Fat Tony, and we know from past episodes he’s in on schemes with Mayor Quimby. But some things, even a cartoon mob boss cannot forget.